Showing posts with label Video. Show all posts
Showing posts with label Video. Show all posts
October 15, 2014
FOOT: PHANTOM OF THE FOREST
In 2004 FunKo founder Mike Becker and I co-wrote a short film called Foot: Phantom of the Forest to accompany a Bigfoot Wacky Wobbler. We employed the extremely talented Vance Reeser to bring it to life under our co-direction, along with music and sound from Jamey Clayberg. Four complicated years later the film debuted at the San Diego Comic Con film festival and was sold with the Wobbler as planned.
No doubt most of the DVDs are still "mint in pack." Fortunately the fifteen minute short was semi-recently made available for all to see, including you, if you would kindly put on some headphones, click play, and then hit the "full screen" button...
October 10, 2014
MOON MONSTER COMMERCIAL BY JASON WILLIS
Jason Willis has been improving my Halloween seasons for nearly a decade. My iTunes is brimming with vintage Halloween LPs that were originally offered on his Scar Stuff blog, most of which were nearly impossible to find before that. (Do not miss his Goula-Rama and Spook Party mixes!) After sharing his music collection he began making his own spooky video creations and unleashing them on us each October. This year is no exception!
The subject this time around is the classic 1970 comic book ad for the free Moon Monster poster (and horror fan club membership.) The source material is obviously near to my heart, in fact, Jason contributed the photo of one of the Moon Monster posters that appears in my book, Mail-Order Mysteries.
Best thing is, Jason absolutely does justice to something that could be so easy to get wrong. He takes the old comic book aesthetic and somehow enhances it. He also knows how to use all the little details to add layers of authenticity both visually and aurally. So I invite you to check out his latest masterwork that answers the question: what if the products sold in comic books were also advertised on television?
If you watched to the end you know there's more to it than just the commercial. Jason has also put together a downloadable, printable Moon Monster horror kit with all the trimmings! Just go here!
Let's not stop there! Here's Jason's take on a TV spot for a 1953 issue of Adventures Into Darkness.
Great huh? So why not check out the rest of his Halloween filmography? I've discussed this one before, it's a visualization of the 1973 Johnson Smith Horror Record using Eerie Publications artwork! Beware, this is so much more gory that you are expecting!..
And now a stop motion video for my favorite Halloween song...
Up next is a Halloween Safety film that Jason actually appeared in as a child, no joke!
If you watched the last one you should certainly see the second edition...
WOW!
Finally, while we're on the subject of recent art based on spooky comic book ads, I'd like to point out that Devil's Workshop has made a mask based on the Monster Ghost mail-away product! The head for the real thing was actually a balloon that looked nothing like the illustration so this is the realization of countless childhood fantasies.
As you may recall they also produced a masked based on the Gayle House Ghoul ad.
People, this is truly the golden age of videos and masks that are based on semi-obscure comic book advertisements!
The subject this time around is the classic 1970 comic book ad for the free Moon Monster poster (and horror fan club membership.) The source material is obviously near to my heart, in fact, Jason contributed the photo of one of the Moon Monster posters that appears in my book, Mail-Order Mysteries.
Best thing is, Jason absolutely does justice to something that could be so easy to get wrong. He takes the old comic book aesthetic and somehow enhances it. He also knows how to use all the little details to add layers of authenticity both visually and aurally. So I invite you to check out his latest masterwork that answers the question: what if the products sold in comic books were also advertised on television?
If you watched to the end you know there's more to it than just the commercial. Jason has also put together a downloadable, printable Moon Monster horror kit with all the trimmings! Just go here!
Let's not stop there! Here's Jason's take on a TV spot for a 1953 issue of Adventures Into Darkness.
Great huh? So why not check out the rest of his Halloween filmography? I've discussed this one before, it's a visualization of the 1973 Johnson Smith Horror Record using Eerie Publications artwork! Beware, this is so much more gory that you are expecting!..
And now a stop motion video for my favorite Halloween song...
Up next is a Halloween Safety film that Jason actually appeared in as a child, no joke!
If you watched the last one you should certainly see the second edition...
WOW!
Finally, while we're on the subject of recent art based on spooky comic book ads, I'd like to point out that Devil's Workshop has made a mask based on the Monster Ghost mail-away product! The head for the real thing was actually a balloon that looked nothing like the illustration so this is the realization of countless childhood fantasies.
As you may recall they also produced a masked based on the Gayle House Ghoul ad.
People, this is truly the golden age of videos and masks that are based on semi-obscure comic book advertisements! November 29, 2012
PAPER AND I
One of the great pleasures of my life is watching old educational films. Recently, I curated a list of films for Reminisce magazine that I consider to be many of the quintessential titles from the Classroom genre. Though it's not one of the commonly noted ones, I made sure to include my personal favorite educational flick, a splendid featurette called Paper and I.
Here's my description:
"In this surreal pick from the Texas Forest Service, a brown paper sack comes to life and indoctrinates a young boy in the origins and value of paper. Watching the boy perplex his parents as he grows obsessed with the bag’s message is more entertaining than it should be. The film turns prophetic when it depicts a world without paper, where newspapers and books are a thing of the past."
The anthropomorphic mascot is such a common trope, but Paper and I takes it to a new plateau as the boy's relationship with the bag (which only he can hear) turns fanatical. The sack is quite literally a martyr for the paper industry. He describes the hellish process of being reduced to chips and getting cooked in the paper mill. Eventually he pleads with Billy to end his life, thus the climactic scene where father, mother and sack are gathered around Billy's bed, enthusiastically encouraging him to over-inflate and destroy his otherworldly friend.
The film has always been suspiciously missing from archive.org and Youtube, but as I researched my project I was thrilled to discover that it has been uploaded to the Texas Archive of the Moving Image! I urge you to experience it right away!...
Incidentally, I once used this film as the basis for a corporate skit of sorts. There was a period during my time as a greeting card designer when I was regularly called upon to provide humorous interludes for meetings, retreats, conferences and the like. Having created dozens of presentations year after year, I eventually decided that I wanted to produce just one with my own entertainment in mind.
One morning I stood before the company's artists, writers, marketers and managers and asked everyone to pay close attention to a film I'd found, with the pretense that it was somehow relevant to our business. Once I pressed "play" they understood the ruse right away, and after a few initial chuckles the crowd continued to politely watch.
As the captive audience gazed at the screen, I stepped back and gleefully watched their faces as I took inventory of that moment in time. I pridefully dwelled on the fact that I had orchestrated a scenario in which my colleagues, my boss, and my boss's boss all sat together in a darkened room on a Monday morning viewing an obscure, fifty-year-old depiction of a paper sack with a face.
Then, as the lights went up and the half-hearted clapping died, I announced that I had a special guest— paper sack himself! I revealed a brown bag that I had painted to match the star of the film (see photo below), and the crowed seemed to warm up, sensing a punchline to the whole bit. I thanked the bag for coming and asked him a simple question. All eyes looked to the sack, but he wasn't talking. I tried to convince him to speak, but he remained quiet. Unbeknownst to the group, this was my intention. After a few more fruitless pleas followed by uncomfortable silence, I apologized for the confusion, and concluded my presentation.
As the room mustered another round of reluctant applause I left the stage, stepped out of the building, and walked to my car. Once safely inside, I burst into a frenzy of laughter. The sack grinned from the passenger seat, reaffirming my success.
October 31, 2011
October 29, 2011
H-A-LL-O-W-EE-N SPELLS HALLOWEEN
Jason Willis of the legendary Scar Stuff blog among other things, has bestowed on us another celebratory Halloween video inspired by the haunts of yesteryear. This is his stop motion interpretation of Kay Lande and Wade Denning's classic song "Halloween." It does a fantastic job of capturing what is so endearing about this time of year. Read all about his creative process here. And please, PLEASE don't forget to have a happy Halloween!
October 25, 2010
THE JOHNSON SMITH HORROR RECORD COMES TO LIFE!
For years Jason Willis freed vintage Halloween records from their rare vinyl cages and unleashed them into the digital realm (via his Scar Stuff blog) where they have spread like a zombie virus. Amid all the sharing Jason was able to reclaim and make available a recording that held tremendous sentimental value to him (and many others), the 1973 Johnson Smith Horror Record.
It was coveted regularly because it appeared as a perennial listing in Johnson Smith's ubiquitous comic book ads. However, only the really lucky kids got it because unlike most of the products sold by the company, this item was exclusively available through them.
(MP3s of the entire record are available here.)

The second side of the brief record features a "semi-cohesive story line," the details of which could only be deciphered by the minds of young listeners—until now. For Jason's first-ever animated project he chose to illustrate the crude story with gruesome graphics from old magazines produced by Eerie Publications. The marriage of the audio and visuals is spot on. These elements are born of the same era and they share the same over-the-top, b-grade vernacular.
So unless ye be squeamish, I invite you to click on over and experience this brutal scarefest in all its bloody glory. Note that it's certainly not for the kiddies, and your boss may not appreciate it either.
You can read more about the technical specifics at Jason's blog
December 30, 2009
MONSTERS DO HAVE THEIR PLACE!
This wonderful forty-eight seconds of film never ceases to give me a blast of spooky joy. I love how the monsters are rendered and presented 1960s style, I love the knock-off Famous Monsters typeface, and I love the music. (Anyone who can identify it for me shall become the champion of the universe.) I've admired this piece for years on a VHS collection of drive-in theater intermission ads but I just happened upon it on archive.org (Click the link to go directly to loads of glorious drive-in intermission reels.)
But I'm perplexed that even with a genius ad campaign like this one, we all ended up with monsters in our living rooms.
November 02, 2009
BRUSH YOUR TEETH...ROUND AND ROUND!
Since the dawn of Youtube I've waited for this clip to surface! Some awesome individual has finally uploaded a clip of The Toothbrush Family (1974) as originally seen on Captain Kangaroo and The Commander Tom Show. These little talking hygienic tools had a lasting impact on my mind and possibly my dental habits. Much of their power comes from their song; they sing it at the end of the video. You know it. A lot of people know it but don't know where it comes from...
Brush your teeth
Round and round
Circles small
Gums and all
A small soft toothbrush the round and round way
Will keep your gums healthy and stop tooth decay
So clean very carefully three times a day
Go round and round
Apparently there was a later version of the cartoon as well. For years it has been a frustrating red herring in my search for the original. Well, looks like I win this time stupid Toothbrush Family remake.
When I woke up this morning I sure didn't expect to hear this song today. I love it when life goes round and round too.
March 02, 2009
SPOOK HOUSE DAVE

I must admit that I braced myself for the worst when I was invited to have a look at Spook House Dave, an online puppet show about a boy living in a haunted castle. While the premise was appealing, for some reason my expectations defaulted to thoughts of a schlocky production filled with corny, pun-driven monster humor, or perhaps a South Park wannabe. (Sheesh, how did I reach this lowly state of puppet cynicism?)
But with a click of the play button I perked up at the minimal yet brilliant puppet designs. After a while I even found myself laughing out loud. Now, our society likes to casually throw around this term "lol" but I'm telling you I literally laughed aloud– more than once! And I liked the sensation very much. The humor is surprisingly subtle and character driven for a puppet show; I'd go as far as comparing it to Homestar Runner. And the fact that they tip their hat to Forrest J. Ackerman of Famous Monsters of Filmland fame tells me that the creative team at Dragonfruit Studios are more than just casual fans of the spooky genre.
So forget everything you've learned about online monster-related puppet shows, and take a look at the seven minute premiere webisode of Spook House Dave in which the gang pays homage to classic soap operas...
August 11, 2008
July 17, 2008
STANLEY KUBRICK'S BOXES
"Two years after Kubrick's death, Jon Ronson was invited to the director's estate to explore the hundreds of boxes the legendary film director had collected during his decades at Childwick Manor in Hertfordshire. He's been returning ever since, and the story of Kubrick and the archive, now housed at University of the Arts London, is revealed in this fascinating documentary.
Ronson asks: is it possible to get to understand such a man – and his extraordinary working methods – by looking through the hundreds of boxes he left behind?"
>
July 09, 2008
KERMESSE FANASTIQUE
Here is the best Dutch stop-motion animated commercial from 1948 that you will see all week. Kermesse Fantastique, a ten minute promotion for Philips Electronics, is directed by Jozsef Misik and presented by Joop Geesink (who art directed some of George Pál's Puppetoons). There's so much to love here, from the Art Deco star-lit styling to the glorious dark ride trip. Thank you Brian O. for directing me to this wonderful bit of secret fun!May 07, 2008
FLiP: BIGGER, CLEARER, AND UNCUT
Speaking of the Johnson Smith Co. and the seven-foot monsters that J.J. Abrams spoke of (well, actually he was referring to the monster poster), I just uploaded Flip, the Rondo-winning short film that my friends and I put together, to a most excellent video sharing site called Vimeo. Here it's got a larger and less compressed picture than it did on Google Video. So if you haven't seen it and you feel like visiting a sunny Saturday morning in the late 1960s, when life revolved around comic books, monster movies and dime stores— now is the time to go for it...
Note: if it's playing choppy here then try watching directly on Vimeo.
Note: if it's playing choppy here then try watching directly on Vimeo.
May 06, 2008
J.J. ABRAMS MENTIONS "SECRET FUN SPOT" IN ROLLING STONE!

In the latest issue of Rolling Stone magazine (May 15, 2008) one of my most beloved cultural heroes, J.J. Abrams, does my site a tremendous honor...
(See the full piece here.)It's difficult to express the joy this gives me without relying on high pitched yelps. 'Thrilled' is not the word... 'atingle' is only slightly more accurate. Grateful! Yes, that's it. Thank you J.J.
I wonder if there are a lot of folks currently rushing to the Secret Fun Spot thinking it's some new viral marketing campaign. If I were just a little more evil I'd swap out the regular site and upload fake production art for a Cloverfield sequel, or maybe some shots of "the new Star Trek crew" taken in my back yard... naked from the waist down.
Alas, I could never do such a thing because my feelings are completely mutual. Abrams is like an entertainment ambassador who serves as a representative for the childhood version of me. Spies... giant monsters... Star Trek! And then there's dear, sweet Lost; the only thing that can stir up the very feelings I had while watching Twilight Zone reruns before bedtime. At the same time, it manages to pluck the part of my brain that gets so excited by those classic lateral thinking puzzles. You know the ones; for example...
"A man and his wife raced through the streets. They stopped, and the husband got out of the car. When he came back, his wife was dead, and there was a stranger in the car." [Solution]
Those things have always given me such a creepy charge— just like Lost.
Could his upcoming show Fringe be anything but amazing? (A series that "mixes elements of "The X-Files" and Paddy Chayefsky's "Altered States" with what Abrams calls "a slight 'Twilight Zone' vibe." Sheesh!!) Did you know he directed an episode of The Office? Did I mention he's a huge S.S. Adams fan? I'm talking levels of fandom involving a fully stocked sales rack of pranks and magic tricks right in his office! (Not unlike the one I have.) Sorry for the love letter folks, but it's ridiculous the way his work represents just about everything I cherish.
Anyway, you can spot this issue by the tastefully classy, yet classically tasteful cover featuring The Hills gals on their way to an underwear parade. In compliance with the cultural standards, I had a subscription to Rolling Stone throughout my college career (and then some), so it's a blast to revisit the publication under these circumstances. However, reading it all these years later makes me feel so out of touch with the music scene. For instance, before I read this issue I knew so little regarding "the truth about The Hills" and even less about the $25,000-a-night escort service, but thankfully, now I'm hip again!So now that you know there's a chance that J.J. could be reading, go ahead and fill up the comments section with your unsolicited movie concepts and nitpicky questions regarding any of his productions.
For further proof that Abrams is the master of secret fun watch J.J.'s chill-inducing presentation from the 2007 Technology, Entertainment, Design (TED) conference...
(Thanks for the heads up Todd and Mike!)
March 24, 2008
IT'S ALIVE (1969) OPENING TITLES (FEATURING LAND OF KONG)
In my recent Dinosaur World post I mentioned that the park (known as Land of Kong in its early days) appeared in the first few minutes of It's Alive (1969). Well, here are those very minutes, immediately available for your eyes in the form of moving colored pixels. As you will see, the scaffolding is still present around a couple of the dinosaurs indicating that the footage was shot in the earliest days of the attraction (maybe even before it was open to the public). About 80% of the rest of the feature takes place in nearby Onyx cave which is still open to the public. If I would have seen this film before I toured that cave years ago I would have appreciated it about a thousand times more.
October 19, 2007
THE HALLOWEEN CHANNEL
Trick or Treat (1969)
A film designed to generate discussion about the consequences of Halloween mischief.
Time Life Enchanted World commercial
This commercial was always so thrilling. When I finally got to look at these books it made me wish they had made a series of videos instead.
Disneyland Showtime (1969)
Backstage at the Haunted Mansion with Kurt Russell.
Halloween Safety(1977) Part I
(In case you missed it at Scar Stuff)
Halloween Safety(1977) Part II
A film designed to generate discussion about the consequences of Halloween mischief.
Time Life Enchanted World commercial
This commercial was always so thrilling. When I finally got to look at these books it made me wish they had made a series of videos instead.
Disneyland Showtime (1969)
Backstage at the Haunted Mansion with Kurt Russell.
Halloween Safety(1977) Part I
(In case you missed it at Scar Stuff)
Halloween Safety(1977) Part II
October 07, 2007
THE PLENTY SCARY MOVIE

Where I grew up The Plenty Scary Movie on Tulsa Oklahoma's Channel 8 (KTUL-TV) was the only regular source for old horror films. Trouble was, it came on Friday nights, at eleven-thirty which was past my bed time. So when this promo spot aired during my cartoons every afternoon, year after year, it produced in me a thirst for spooky films that I had to wait decades to quench (with the exception of the few times I was brave enough to sneak out of bed to watch). I believe that my repeated exposure to this single advertisement is one of the primary reasons that I was, and always will be a "monster kid." It constantly taunted me with something wonderful that was always just out of my reach, which is a dandy way to create an obsession.
By the time I was old enough to stay up past ten the show had been pulled from the schedule. As the years passed I found myself growing extremely nostalgic, not for the monstrous films in the clips, but for these thirty seconds of airtime. Then came the magical internet that you're staring at this moment. When I first stumbled upon a site called Tulsa TV Memories, you can guess which TV memory sprang to my mind. I immediately registered an inquiry...
Posted to the GroupBlog 10/01/2001:
"If I had two wishes, my first would be to own a Bell's Phantasmagoria bumper sticker. Anyone know where I can find one? (I got my wish.)
My second wish is to see the TV spot for the Plenty Scary Movie again. That music put to those film clips fascinated me, but I was rarely allowed to stay up "Friday night at 11:30."
I don't know how it came to be, but early last year Mike, the Tulsa TV webmaster, finally posted the elusive ad spot, thus granting my second wish and effectively cleansing my synapses of yet another wasteful matter. Additionally, Mike's site taught me that the promo's accompanying music originated on Russ Garcia's Fantastica album. And yes the internet (specifically Planet Xtabay) offered me that as well. You can get it here.
So anyway, my question to all you monster fans is.. can you name all the movies in the Plenty Scary Movie promo?(Thanks again Mike for posting the clip. Also, a big thanks for upping the quality at the request of this silly blogger!)
September 08, 2007
TEX AVERY'S TOMORROW
I was very pleased to recently discover all four of Tex Avery's "...of Tomorrow" series of cartoons on YouTube which consists of several of my all time favorite shorts. Some of the humor is eye-rollingly stale, but the mid-century aesthetic, the retro future, the soothing narrator, the masterful animation, and the rapid-fire sight gags still make these toons extremely watchable. As a kid I waded through countless hours of Tom and Jerry to get a glimpse of these as well as Avery's other unique creations that didn't rely on animated star power (i. e. One Cab's Family, The Cat that Hated People, etc.). Enjoy...House of Tomorrow (1949)
Car of Tomorrow (1951)
T.V. of Tomorrow (1953)
Farm of Tomorrow (1954)
September 03, 2007
PHANTASMAGORIA VIDEO RIDE-THROUGH

Secret Fun Blog reader Wendi informed me that she's uploaded the following video footage of the Phantasmagoria on YouTube! Naturally there's a lot of darkness, but if you're at all familiar with the ride this clip is sure to bring back memories. Just hearing the audio was extremely enjoyable to me. It's all there: the hum of the car, the slam of the bang doors, and of course the blast of the bus horn. It also depicts some of the latter day improvements that Kyle J. Wood was behind...
I love the motive behind this little film. From her description...
"This video was taken inside the Phantasmagoria ride at Bell's Amusement Park in Tulsa, Oklahoma in 2006. Our three-year-old son was fascinated with this ride and got the courage to ride it once. After that he wanted us to retell each part of the ride over and over to him. We eventually videotaped ourselves riding it so that we could show him the video when we got tired of recounting the ride to him..."
I can totally relate to that. When I was a kid I was too afraid to watch certain scary movies so I'd make my friends describe every detail to me over and over again. Anyway, Thanks Wendi for sharing your video!
August 02, 2007
SUMMER NIGHT FLIGHTS
Depending on your definition of Summer, we've got about a month of it left. For some reason this season always makes me even more prone to reminisce, and that should mean a lot coming from a retro-til-you-puke fellow like me. Recently I've noticed myself playing a disproportionate amount of 80s tunes, and I've been systematically satisfying my cravings for old summer film standbys: Karate Kid, Die Hard, Summer School, Raiders of the Lost Ark and First Blood to name some. And as you can tell from some of my recent posts, I'm currently on a "remembering TV" kick.
Now, my grandpa would scold me for such a notion. He'd tell me that summer recollections shouldn't have anything to do with forms of popular media. But don't get me wrong, this Arkansan scamp allotted ample time for fort building, bike explorations, and bathing in the local bodies of snake-infested water; and I had the sunburn and ticks to prove it. But few situations in my life have more effectively demonstrated the concept of 'peaceful' like my long, still, jobless, teenage summer nights. No people, no obligations, no worries (no girlfriend). Just me and my little companion with the flickering screen. So naturally I romanticize the TV shows that I associate with this precious time period. For instance, to this day Star Trek reruns put me so at ease that they rival sedatives.
In the summer of '87 there was some special deal on the Disney Channel that my family just couldn't pass up. At the time, Disney was a subscription channel like HBO and Showtime which were the only other "premium TV" choices. (Deal aside, I remember Disney was 8 bucks a month, two dollars cheaper than the movie channels.) So we got our Mickey Mouse, but more importantly we got a cable box. My family still hadn't ventured into the questionable realm of video recording devices (unlike all my friends' households) so this was the first time we'd ever picked up more than thirteen channels. One of which was channel 20, the USA Network. By day it was seemingly non-stop Dance Party USA, but by night it was the cooler-than-thou Night Flight...

That endless loop of dreamlike animation perfectly sums up the mood of those nights.
Well, the Disney channel stunk. Everything but the Wonderful World reruns was just painful. I mean, they didn't even have anything on the level of Hannah Montana or those creepy twins who live in the hotel (no, not The Shining). Occasionally they taunted us by airing commercial free movies like The Boy Who Could Fly which eventually enticed us to switch to ten dollar HBO. This meant that by 1988 I was watching the 2 AM showings of Killer Klowns from Outer Space. The spacey old HBO "Feature Presentation" intro they put in front of each movie still has a Pavlovian effect on me...

I'll go one better than just showing it. Here's a fascinating ten minute short on the painstaking, outmoded creative process behind of this very cool, very expensive piece of footage...
These days I'd like to think I get more out of my summers than love affairs with video clips. This year, at a time when I normally get my first tinges of Halloween excitement, I'm making a conscious effort to soak in the remaining summertime, and to appreciate the summer fundamentals that I so longed for six months ago... insect songs, air conditioned matinées, hosing down my son in the back yard, iced tea in metal tumblers beaded with condensation, the sense of leisure around the office, bike rides, sitting under the stars with the missus, well deserved bowls of ice cream after lengthy lawn mowings, hosting out-of-town friends, fireflies, night drives with the top down, this year's many rain storms (you can almost smell the photosynthesis when sun hits the grass afterward), and of course there's blogging at one in the morning. Anyway, let's savoring all this while we're able.
Now, my grandpa would scold me for such a notion. He'd tell me that summer recollections shouldn't have anything to do with forms of popular media. But don't get me wrong, this Arkansan scamp allotted ample time for fort building, bike explorations, and bathing in the local bodies of snake-infested water; and I had the sunburn and ticks to prove it. But few situations in my life have more effectively demonstrated the concept of 'peaceful' like my long, still, jobless, teenage summer nights. No people, no obligations, no worries (no girlfriend). Just me and my little companion with the flickering screen. So naturally I romanticize the TV shows that I associate with this precious time period. For instance, to this day Star Trek reruns put me so at ease that they rival sedatives.
In the summer of '87 there was some special deal on the Disney Channel that my family just couldn't pass up. At the time, Disney was a subscription channel like HBO and Showtime which were the only other "premium TV" choices. (Deal aside, I remember Disney was 8 bucks a month, two dollars cheaper than the movie channels.) So we got our Mickey Mouse, but more importantly we got a cable box. My family still hadn't ventured into the questionable realm of video recording devices (unlike all my friends' households) so this was the first time we'd ever picked up more than thirteen channels. One of which was channel 20, the USA Network. By day it was seemingly non-stop Dance Party USA, but by night it was the cooler-than-thou Night Flight...

That endless loop of dreamlike animation perfectly sums up the mood of those nights.
Well, the Disney channel stunk. Everything but the Wonderful World reruns was just painful. I mean, they didn't even have anything on the level of Hannah Montana or those creepy twins who live in the hotel (no, not The Shining). Occasionally they taunted us by airing commercial free movies like The Boy Who Could Fly which eventually enticed us to switch to ten dollar HBO. This meant that by 1988 I was watching the 2 AM showings of Killer Klowns from Outer Space. The spacey old HBO "Feature Presentation" intro they put in front of each movie still has a Pavlovian effect on me...

I'll go one better than just showing it. Here's a fascinating ten minute short on the painstaking, outmoded creative process behind of this very cool, very expensive piece of footage...
These days I'd like to think I get more out of my summers than love affairs with video clips. This year, at a time when I normally get my first tinges of Halloween excitement, I'm making a conscious effort to soak in the remaining summertime, and to appreciate the summer fundamentals that I so longed for six months ago... insect songs, air conditioned matinées, hosing down my son in the back yard, iced tea in metal tumblers beaded with condensation, the sense of leisure around the office, bike rides, sitting under the stars with the missus, well deserved bowls of ice cream after lengthy lawn mowings, hosting out-of-town friends, fireflies, night drives with the top down, this year's many rain storms (you can almost smell the photosynthesis when sun hits the grass afterward), and of course there's blogging at one in the morning. Anyway, let's savoring all this while we're able.
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